A darkly comic new take on Brecht and Weill’s raucous musical broadcast live from the stage of the National Theatre.
London scrubs up for the coronation. The thieves are on the make, the whores on the pull, the police cutting deals to keep it all out of sight. Mr and Mrs Peachum are looking forward to a bumper day in the beggary business, but their daughter didn’t come home last night and it’s all about to kick off…
With Olivier Award-winner Rory Kinnear (Hamlet, Othello, James Bond) as Macheath, alongside Rosalie Craig (As You Like It, My Family and other Animals) as Polly Peachum and Haydn Gwynne (The Windsors, Drop the Dead Donkey) as Mrs Peachum.
This bold, anarchic production is brought to you by a creative powerhouse: adapted by Simon Stephens (The Curious Incident of the Dog in the Night-Time), and directed by Rufus Norris (Everyman, London Road).
Contains scenes of a sexual nature, violence and filthy language.
BAFTA winner and Academy Award® nominee Chiwetel Ejiofor (12 Years a Slave) takes the title role in this dynamic new production of one of English drama’s oldest plays, directed by the National Theatre’s new Director Rufus Norris (Broken, London Road).
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.
One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
Meera Syal (The Kumars, Goodness Gracious Me, Rafta Rafta at the National) returns to the National Theatre, directed by Rufus Norris (Broken, London Road).
Pulitzer Prize-winner Katherine Boo spent three years in Annawadi recording the lives of its residents. From her uncompromising book, winner of the National Book Award for Non-Fiction 2012, David Hare has fashioned a tumultuous play on an epic scale.
India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he’s as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a ‘first-class person’, while her daughter Manju intends to become the slum’s first female graduate.
But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood.